Dan Webb is an Actor who recently graduated with a BA Honours Degree in Dance and Drama from Edinburgh College. He enjoys devising and creating pieces of work that put smiles on the faces of his audience, and is always looking for new avenues to bring happiness to people through Drama.
0131 629 0292
info@strangetown.org.uk
Meet more of the Team
Cara Watson
Cara Watson is a Scottish actor and emerging playwright. She holds a 1st (BA) Hons in Acting and has recently completed an MSc in Playwriting at The University of Edinburgh.
Recently, Cara was a co-writer and performer in a series of biopic films about the Scottish Suffragettes, which is now exhibited in Perth Museum.
She is also co-founder of New Writing collective Untie My Tongue Theatre. With her experience and passion within both theatre and filmmaking in Scotland, Cara is very excited to be working with Strange Town.
James Beagon
Youth Theatre Manager
James is a director, playwright and creative learning facilitator who has lived and worked in Edinburgh for the past 15 years.
He has worked with Strange Town since 2015 and has written and directed a number of Strange Town productions, most recently Livin’ On A Prayer (Traverse, June 2025). Other Strange Town writing credits include Stolen Futures (Traverse, June 2019) Beneath the Surface (Traverse, June 2022) and My Kind of Weird (Traverse Theatre, June 2024). In addition to his role as Youth Theatre Manager, he currently directs the Tuesday 8-25s youth theatre group.
Previous credits with his own group Aulos Productions include the award-winning Fringe productions First Class (2014) and Gobland for the Goblins (2017) and the award-nominated Women of the Mourning Fields (2015) and Antigone na hEireann (2018).
James has worked extensively as a freelance drama practitioner with companies including East Lothian Youth Theatre, Lyceum Youth Theatre, Youth Theatre Arts Scotland, Theatre Sans Accents and Acting Out Drama School.
He holds an MFA in Directing from Edinburgh Napier and an M.A. (Hons) in Ancient and Medieval History from Edinburgh University and has run workshops and guest-lectured at both institutions.
Anna Whealing
Anna is a highlands-born writer, theatre-maker and producer. She has worked with community groups, volunteers, children, artists and industry members. Anna has produced award-winning short films and documentries, run workshops for emerging writers, created several new-writing audio series, organised scratch nights for performance artists in Glasgow and dabbled in stage managment. Basically, she’ll say yes to everything and loves a challange! Anna is currently a creative trainee on textLAB, a writers programme run by Scottish Youth Theatre and Playwrights Studio Scotland. She has acted as Assistant Director for A Play, A Pie and A Pint and Mull Theatre.
Ellie Duncan
Ellie is a Scottish theatre-maker, facilitator and performer, who graduated with a First Class BA (Hons) in Drama and Dance with Kingston University and Edinburgh College in 2023.
Ellie has been involved in the industry from a very young age and has experience and training in both Film and Stage. Ellie is fascinated about moments of history and implementing that into her work. In 2023, she wrote and co-directed her own show ‘The Fool’ which was set in the regency era and performed in The Voodoo Rooms.
Ellie enjoys exploring theatre through improvisation and play and strives to create work that activates the voice of young people, whilst having a lot of fun in the process.
Jenny Duncan
Jenny is a recent graduate from Edinburgh College. She loves performing and entertaining people and has a particular love for interactive theatre, feminist theatre and anything to do with Jodie Comer. She loves trying new things and taking herself out of her comfort zone.
Rosalie Faithfull
Rosalie is a script reader and editor with a passion for script development. She’s previously worked in production and produced short films, some of which she auditioned Strange Town agency members. She’s worked with young people in various contexts including leading on holiday camps, at youth clubs, and on first time film-maker schemes.
